Where does the future of comedy lie? And what does the future of comedy really look like?
The old saying has it that there’s nothing new under the sun, and when it comes to comedy, I think there’s a lot of truth in it in terms of content. In other words, we homo-sapiens don’t fundamentally change our human natures. So the things our ancestors found amusing on the Savannah 300,000 years ago were the same, in principle, as the things we find funny today.
Irony, for example, isn’t new. Character studies and parodies aren’t new either. But what is new is the content; the situations in which we frame our comedy changes with the ages, as does, of course, its means of delivery. And it’s this latter area that looks the most interesting when considering comedy’s future.
The obvious place for comedy to flourish as it’s thrown open to billions of people around the world is the internet. It’s now conceivable for anyone producing genuinely funny video clips to go viral and become an overnight success.
The problem is that this is all very bitty. Perhaps there’s no harm in this, but where will the new comedy come from that takes time to nurture and for people on a large scale to truly connect with? In the age of the mass internet, if your comedy doesn’t hit home immediately, literally in a few seconds, the perhaps it won’t get anywhere?
A good example is the return of The Fast Show online only at Fosters.co.uk. When the show was first broadcast on the BBC in the mid 90s, it took time for the British public to really connect with it. Now, the sayings of its main characters are known to almost every adult – but would that have happened had it been first introduced on the web only? I doubt it, but when you watch the Fast Show now, you feel you know it well and understand the depth of the characters etc.
The future of comedy undoubtedly lies on the web as well as TV, but it will lose something in the process.